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#Paula cole peter gabriel in your eyes mod#
Well known tracks will be removed at mod discretion. Saturdays are for fresh and original musicĭedicated to underground artists, your original compositions, and new releases by known artists. Bad discussion posts are subject to removal on any day. If your post is "low effort" or looks like just another way of posting streaming music, then it will be removed. If you have an interesting story behind the music, you can add this in the comments or as self-post text.įriday is for interesting discussions, not streaming music. No artist reposts for 30 days if the previous post broke 100 points Optional additional text may only be included after this part of the title.
![paula cole peter gabriel in your eyes paula cole peter gabriel in your eyes](http://mmusicmag.com/m/wp-content/uploads/2020/09/Paula-Cole-03-Photo-credit-Tim-Llewellyn-1024x768.jpg)
Follow us on twitter for AMA announcements and a selection of top links.Īll submissions of streaming songs and albums must follow this format or will be removed.It’s impossible to catch the range of this set but it’s pretty fair to say this Hank Williams country waltz has never had a more chilling rendition.Are you a musician? Read our guide to promoting your music. Patty Waters Live gives us a New York concert caught just last year with longtime collaborators, Burton Greene on piano, Mario Pavone on bass and Barry Altschul on percussion.
![paula cole peter gabriel in your eyes paula cole peter gabriel in your eyes](https://i.ytimg.com/vi/Vy0LJnvWpus/maxresdefault.jpg)
Yet, for all the praise dealt out to her first two landmark albums, Waters, like Paula Cole, took time out for family issues and we waited until 1996 - that’s thirty years - to be granted an extraordinary collection of standards titled Love Songs.īallads from ‘Mood Indigo’ and ‘Nature Boy’ to ‘Summertime’ and ‘Don’t Explain’ were just four on the song-list and the fragile-voiced Waters tackled Gershwin’s ‘Someone to Watch over Me’ with a mesmerizing Jessica Williams on piano.Ī new Patty Waters album, totally unexpected, is a cause for celebration. At the time, th e Village Voice critic and poet Herbert Weinstein suggested that we hear this voice with the “ears of wolves”, praising Waters as transcending virtuoso vocalizing to present Shamanic ritual. This performance is one of the classics of its decade. But was a cabaret waltz really the right tactic with Bob Dylan’s ‘The Lonesome Death of Hattie Carroll’, complete with snatches of Satie between the verses?
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Jazzy takes on Gershwin and Hoagy Carmichael were smooth without being slick. Pre-empting more recent covers albums by Rickie Lee Jones and Chrissy Hynde, she came out a collection of 20 familiar songs titled Ballads. I felt somewhat chastised when I caught up with Paula Cole two years ago. Yet, in a year that found me discovering the new music of Feist and rediscovering Peggy Seeger and Bettye LaVette, Courage passed me by. After all, she told us, the courage of its title was very much a mantra for the singer, with the word itself occurring in every one of the CD’s songs. Her 2007 comeback album, Courage, was very much based on the life moves she’d made. In fact, she deliberately took time out for child-rearing and non-musical activities, describing it later as looking for authenticity in her life. In the wake of her third album, Amen, in 1999, Paula Cole drifted out of my life. Jay Bellorose plays what’s described as cocktail kit while Cole herself takes care of mouth percussion. They are busy and content to cultivate their individual musical gardens, giving pleasure to followers and fans.Īrtists like Paula Cole, an American singer-songwriter who made her debut in 1994 with an album that came with a propitious title - Harbinger.Īt the time I was pretty intensely taken by one particular song from the collection - partly for its very individual percussion. Sometimes, however, one has to remember that there are artists working today who may not enjoy a worldwide media profile but who are still part of the musical fabric.
#Paula cole peter gabriel in your eyes movie#
and who could forget Shirley MacLaine taking it on in the 1990 movie Postcards from the Edge, playing the mother from Hell and mortifying screen daughter Meryl Streep by turning the song into a piano top ego trip. Since then it’s been prime repertoire for the likes of Barbra Streisand, Shirley Bassey, Elaine Page. She launched it, playing Carlotta Campion in the original 1971 Broadway production of the musical Follies. This is ‘I’m Still Here’ sung by the late Yvonne de Carlo.